by F. R. Dale
(Webmaster's note: Because of the difficulty of using a Greek font on the web page, only the Latin section is here reproduced. Again, because of web limitations (or perhaps just mine :)), a circumflex accent is used instead of a macron to mark long syllables.)
Of the advantages of the reformed pronunciation of Latin let it be stated briefly :—
1. That confusion is avoided by the distinct sound of each letter ;
2. That the learning of the sounds causes no serious delay or difficulty in learning the language ;
3. That in attempting the right sounds and the right relations between sounds we make some approach to the beauty of good verse or prose ; otherwise " colour " must be lost, and the music of words ruined;
4. That there is some satisfaction in being as correct as possible, and some advantage in being in the right relation to ecclesiastical Latin, to good continental practice, and to Italian and other languages.
Much the same is true of Greek ; and it is important to establish a sensible relation between the two ancient languages.
The distinction between the long and the short vowels can be taught in the first lesson and should never be forgotten :—
a and a as in the English aha.
e and e as in get and gate.
i and i as in quinine.
o and o as in cot and coat.
vl and u as in pull and pool.
y and y like the French u in plume ; i with the lips well rounded.
These are working approximations.
The Southern English short a, as in cat, is a modified a; pronounce as in the North, or in Wales. Keep the quality carefully in final a.
Long e and long o should each be less of a diphthong than in standard English ; protract
a "close" e and o, avoiding e-
Never introduce the y-
Short e may cause some trouble when final or before r. Practise saying re-
ae as in try.
au as in cow.
eu never as you : run the two sounds together, rather Iike a Cockney 'how'.
b as in English; but as p before s and t — apsens, optineo.
c as k.
g as in get.
h as in English—possibly a " lighter aspiration."
i may be consonantal as y — coniunx.
m generally as in English ; but final m, as elision shows, was very light (it appears merely to have nazalised the vowel before it).
r should always be pronounced—" trilled " if possible even when final. (Keep vowel sounds before r, as in pergo, virgo, surgo, clear and distinct—never blur the vowel into an indeterminate).
s must never be z. This may require practice, especially after e; practise saying has res, amas mones without varying the sound;
after n ; make the final syllable of amans like the English 'dance';
with words used in English or related to English words: causa, rosa, Musa, Caesar ;
v as w (it is the consonantal u).
x as cs, never as gs (exemplum differs thus from example).
z as in English.
ch, ph, th not as in English. Pronounce c, p, t followed by the aspirate ; shifting
The Double Consonant
Pronounce distinctly as in Italian, or in the English hop-
What counts for verse or the rhythm of prose is the length of the syllable.
Syllables containing a long vowel or diphthong are long— clau-
Syllables ending in a short vowel are short—re-
Syllables ending in a consonant, whenever that consonant is the first of two or more,
" Dividimus muros et moenia pandimus urbis."
The mutes c, g, p, b, t, d, and the letter f combine so closely with a following
l or r as normally to make a single consonant sound, a-
In a syllable long "by position," which must be long because a consonant after the vowel is included, the contained vowel may be long or short. This does not affect scansion — only correctness.
Vowels are long before -
The vowel or diphthong with which a word ends is elided, and does not count as a syllable, when the following word begins with a vowel. It may be pronounced lightly or "slurred" as in
" await alike the inevitable hour."
Some good opinion favours complete elision, in which such a final syllable is not pronounced at all.
A final syllable where the letter m follows a vowel is also elided.
The " penultima law " prevails.
In disyllables the first syllable is lightly stressed—ámo, célo.
In longer words, stress the last syllable but one if it is long, otherwise the last but two — amámus stressed on the second syllable, régimus on the first.
Exceptions are often due to an abbreviation, where the accent of the full word is retained : addúc [addúce), ingéni (ingénii).
Accent must not affect quantity, or a word will lose shape.
Volûptas, volûptátis, not voluptatis ; shape the word like the English 'a good story'.
Words with English derivates, like magístratus, want watching: not magistrátus. The long first syllable in words shaped like percípiunt, impávidus must not be shortened.
These accents must not be displaced by metrical stress in verse. Read the hexameter
Múlta v íri v írtus ánimo, multúsque recúrsat
and by no means
Múlta virí virtús animó, multúsque recúrsat.
So with Horatian rhythms
Impávidum férient ruínae
and by no means
Impavidúm feriént ruínae.
Otherwise the life and variety of the Latin lines, if not indeed sense, is lost.
N.B. Pronounce hic, hoc (Nom. and Ace.) as long syllables with a short vowel-
For cui make more of the u than in qui -
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